Credit to the BBC for trying to promote new Director talent. It seems that it wasn't found anywhere on this production, I'm afraid. 　　What we've got here is an overly-long, self-indulgent one-trick-pony of a program where Lawrence goes around asking people if they think having a small penis is a problem. 　　It all seems false - false, stilted encounters with friends and family, and false emotions from Lawrence. In particular, as he revisits his old school, with lots of emotional moments as Lawrence re-lives his school days, trying desperately to squeeze out a tear. 　　Stick to whatever it is you do Lawrence, and keep your pants on. We're not interested in your penis. 　　James 　　Was the above comment useful to you?

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

A friendship between two young mothers results in murder when one develops an attraction to the other's boyfriend.

Sometimes you can love your friends a little bit too much for them, but not enough for you.

楊千嬅首個私人紀錄映畫 　　《I · II · III MY STORY》 　　堅持夢想 分享紀錄回憶 　　期待兩年 今天與你一起細看千嬅人生的每個重要時刻 　　此為一部屬於楊千嬅的個人紀錄片，攝製歷時一年多，緊隨《MY BEAUTIFUL LIVE 世界巡迴演唱會》每一站所走訪的足跡，紀錄她剛入行，到成為人妻人母，這些年的心路歷程，並於2020年完成拍攝。拍攝時適逢千嬅入行25周年，此為她特製的一本影像紀念冊，紀錄了她的重要時刻，與朋友和歌迷一同分享自己的音樂與回憶。回望過去，仍然保持對演藝工作和音樂的熱誠，珍惜現在所擁有的一切。 　　紀錄片以楊千嬅踏入社會工作，分三個階段為紀錄片骨幹，1.千嬅初出芧爐的勇闖世界、2.踏入人生另一個階段，婚姻幸褔過二人世界、3.擁有愛情結晶品，成為人母，變成三人世界，希望與大家一同見證楊千嬅的成長歷程！

A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

The day before her mother's memorial, Caroline realizes she has lost her mother's ashes. With no time left and fear of causing her sister Josephine further grief, Caroline must decide what to do.

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An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

With eyes closed, I see animals in their rightful place; with eyes open, I see their place in a zoo that claims to make both animals and humans happy. Layers of iron bars, and in between them—butterflies, birds, insects, and people moving freely. Separated by cages, can we still find a way to connect?